Concert Review :: Miles Kane

After a 2 year leg with his band, The Rascals and on and off spouts of appertaining to the super duo Last Shadow Puppetsalongside Arctic Monkey’s front man Alex Turner, 25 year old Miles Kane has recently had his well deserved, ‘big solo break through’ . His debut album Colour Of The Trap was released in May of this year featuring appearances from the likes of Noel Gallagher and French actress Clémence Poésy . This year he has confirmed a stadium tour alongside indie-rock legends Kasabian, supported Beady Eye and The Courteeners and is currently touring as headline artist with EMI signed band, Folks.

The night began with support act Folks. The Mod-rock band originating from Manchester played a roughly 50 minute long set, the lead singer Scott Anderson brandishing a tambourine throughout the act but only playing it on occasion. The six piece band went down well with their driving guitar music and Gallagher-esque vocals.
After a quick set change it was time for the arrival of Kane, who swaggered on stage, fists raised and strobe lights pulsing, to a more than warm welcome from the already exuberant audience. His opening track, Better Than Invisible stirred the crowd into their unending frenzy with distorted guitars reminiscent of Elvis Costello’s Lipstick Vogue. Needless to say the rest of the evening followed suit with the sea of Paul Weller hairstyles never endingly bobbing up and down; the evening was ‘pretty alright for a Sunday’ as Kane put it half way through his set. Highlights of the set came in the form of King Crawler a shamelessly catchy tune sounding not so different from The Age Of The Understatement (a hit by The Last Shadow Puppet’s in 2008). Quicksandwas also a climatic song of the evening with it’s Banana Split’s style hook line. Kane finished his set with the iconic Come Closer, built to fill stadium proportioned venues, it’s a track that rocked this year’s Reading festival to the ground. The encore came in the shape of Inhaler released in November of last year it’s high energy synth and punchy vocals were the perfect end to the evening.
After the gig I decided to wait around to see if I could have a chat with Kane, he duly obliged. Although it was brief I managed to ask him about his nomination for ‘best break through artist’ at the Q awards, to which he replied that he was very grateful of the nomination but like all things it was all public dependant and being up against contenders such as Ed Sheeran it was a given that the competition was steep. I also tried to ask whether another stint with Last Shadow Puppets was on the cards however due to other distractions he was unable to reply so we’ll have to wait and see as to whether he and Turner re-hit the studio. For now though Kane can only  be expected to carry on releasing more mod/ indie rock anthems and adding more tour dates to his ever busy schedule. Personally, if the chance to see Miles arises I would fully recommend taking it as his shows promise great, dance-filled evenings and he comes across as a genuinely lovely guy.

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